Neither Factory Records nor Madchester conference

Catch my presentation today at the Neither Factory Records nor Madchester conference at the School of Digital Arts with support from Manchester Metropolitan University, The University of Manchester and Creative Manchester.

Markus Hetheier – Queer Resistance: DIY Culture in Manchester’s Contemporary Electronic Music Scene

While Manchester’s longstanding history of electronic music scenes has been widely researched in relation to DIY culture, the connection between Manchester’s electronic music and DIY culture has not been examined much in a contemporary context. In this presentation it is argued that DIY culture can function as a site of resistance for queer people within Manchester’s current electronic music scene. It opposes the corporate music industry and provides a space for queer people to empower themselves through electronic music performance. In order to demonstrate this the Manchester-based queer electronica night FLUFF will be used as an example. The night was set up by Anna Appleby (performing as Norrisette) and the presenter Markus Hetheier (performing as Industries) as a response to their desire to perform their electronic music live after Coronavirus restrictions were lifted, with the aim to also connect with and platform fellow queer electronic musicians. Setting up FLUFF can be understood as an act of resistance in the precarious post-Brexit and post Coronavirus economy as it aims to create a resilient space for queer electronic musicians despite the challenging economic situation. In addition, focusing on the queer community in the context of electronic music can also be interpreted as act of resistance as it includes and empowers queer electronic music producers. Both artists will reflect on FLUFF in relation to DIY as a culture of resistance through a reflective conversation which will inform a DIY toolkit intended to assist artists from marginalised communities with navigating the current UK music landscape.

Markus Hetheier is a Manchester-based electronic musician and researcher. Through his electronic music project Industries he explores and subverts musical structures ranging from field recordings, distorted sounds to harmonic melodies and large beats. Together with Norrisette he co-runs the Manchester-based queer electronica night FLUFF. The night aims to provide a platform for queer electronic music producers to perform and test out original music to a live audience, as opposed to being a club night, and has kickstarted the careers of many. Besides being an electronic musician, he is also undertaking a practice based and participatory PhD at the Manchester Metropolitan University investigating Manchester’s queer sonic geographies. In addition, he has years of experience working in the arts ranging from administrating and coordinating creative projects to facilitating participant engagement through sonic practices, often with a focus on community. Find out more on his socials @industriesmcr and visit his website www.industriesmcr.com.#industriesmcr

Shout out to Norrisette and our FLUFF adventures! 🐩

A queer sonic geography of Manchester

At Sonic Transformations —a joint event by MASSmcr and DVRK Arts Collective— my sound piece ‘A queer sonic geography of Manchester’ was presented. It comes with contributions by 
AminaB 
Dyphnos 
Gabriel Marques Camargo 
Gary Fisher
Hal 
Industries
kaoti 
Leah Wall 
Norrisette
PHIA SKY
Ryan Charles Jacob

The sound piece is composed of eleven different soundscape compositions by the research participants and me. We all went on soundwalks and recorded field recordings around the Gay Village area in Manchester. Each of us arranged their field recordings into soundscape compositions with the aim to sonically represent our individual relationships to Manchester from a queer perspective. I then took the stems of each soundscape composition and mixed them all up, creating a sonic collage inspired by Foucault’s notion of homosexuality cutting ‘slantwise [through] […] the social fabric’ (Foucault, 1994, p. 138). In doing so I queered the sonic geographies explored by the research participants and me. 

Foucault, M. (1994) ‘Friendship as a way of life,’ in Rabinow, P. (ed) Ethics: subjectivity and truth. New York: The New York Press, pp. 135—156.

Snippets of the sound piece are also included in MASSmcr’s Sonic Manifesto, listen below.

FLUFF at this year’s Sounds From The Other City

We are thrilled to represent FLUFF stage at this year’ Sounds From The Other City festival at The Old Pint Pot (downstairs) on 4th May alongside stages across Chapel St and The Crescent in Salford. Except a variety of electronic music sets from Chaines, Industries, Zolatec, Norrisette, kaoti and Bennettiscoming. Tickets are selling fast, so get your tickets here and let’s celebrate Spring together this May bank holiday…

Collage Cult

D∀RK and Collage Cult et alia present: /ˈkʌn(d)ʒə/ – an exhibition and event reflecting on collage art practice, and its ability to recontextualise old memories, conjure ghosts, and create stories for the future.

Venue: Ad England / P3 annihilation Eve

Exhibition: 12 – 20 March (check https://adengland.com/ for opening times and days)

Title: /ˈkʌn(d)ʒə/ : conjuring old memories to collage new narratives

Event: 20 March, 5-9pm

With artwork, talks, workshops and performances by:

Catherine Jack

Raji Salan

Clare Stott

Alice Thickett

Amy Quinn

Bing-Chi Wu

Sara Riccardi

Katie Chatburn

Industries / Markus Hetheier

D∀RK – Dark Arts Research Kollective

FLUFF at SFTOC 2025

FLUFF at Sounds from the Other City 2025 🐩🐩🐩🐩🐩🐩🐩🐩🐩🐩🐩🐩🐩🐩🐩

we’re bringing a hot lineup to the festival this year for you!!! 

4.May.2025 The Old Pint Pint Pot (downstairs)

featuring

Chaines
Industries
ZOLATEC
Norisette
kaoti
Bennettiscoming

see u there!!! 

x x x Anna & Markus x x x

Randomised Structures EP launch

Thank you to everyone to my Randomised Structures EP launch at PINK.

Thank you Gary Fisher and Snuggle Ninja for playing wonderful live sets and creating a magical evening together.

Thank you High Peak Recordings for mastering my new music and to Keith Bloody Mary for producing and directing the music video for Sculpted Collage.

Links to the EP, the music video for Sculpted Collage and to Bandcamp where you can find new merch can be found here.

Photographs by Kate Byron, Clare Stent and me.

New EP Randomised Structures out now!

Listen here and come down to the Randomised Structures EP launch at PINK Manchester tonight – get your tickets here.

Inspired by the patterns of the bathroom floor in his parents’ home when growing up and by his sister’s 90s mousepad which graces the cover, Industries’ new EP Randomised Structures finds the artist revisiting his first teenage electronic experiments. Like tracing the patterns of the bathroom floor, he is finding structures in two of his old tracks (Patterns and Scollage) using them as source material to craft new music (Pulsating Pattern and Sculpted Collage), randomising the structures of the past and integrating them into the present.

Written, produced and mixed by Markus Hetheier.
Mastered by Bon Holloway at High Peak Recordings.
Artwork by Markus Hetheier.

Sculpted Collage (Music Video)

Here comes the music video for Sculpted Collage ahead of tomorrow’s release of Randomised Structures and the EP launch at PINK for which you can still buy tickets.

Thank you Keith Bloody Mary for being up for this experiment. I dissected an old track of mine called Scollage which I made when I was 16, cut it into many samples which I used as percussive elements over a simple techno beat and bit by bit I added layers to it, sculpting a sonic collage in a playful and associate way. Keith Bloody Mary also uses collage as artistic method, but this is their first music video and also my first music video created by someone else. We hope you enjoy.

This video contains flashing light.

Written, produced and mixed by Markus Hetheier.

Mastered by Bon Holloway at High Peak Recordings.

Music video by Keith Bloody Mary.